Beloved characters
from books, films and television shows are often sacred ground for us fans. We
have journeyed with them, taken them into our hearts and think about them when our
real lives are being a little less than spectacular. And so, when these
characters are revisited for what sometimes feels like a money grab, and what sometimes
is (I’m sure) a form of closure for the creatives, we wait with the duelling
emotions of hope and fear, wondering if those in charge are about to wreck
everything. Most often than not, they do wreck things, a lot (Mitch Hurwitz and
your Arrested Development season 4 shambles, I’m looking at you!). While I
always want more Bridget Jones, Mad About the Boy didn’t quite do it for me and
I’m terrified about seeing Bridget Jones’s Baby for fear that watching it will
forever ruin the first film and first two books for me. Similarly, I’m nervous
about the upcoming Gilmore Girls episodes even though I’d give my right arm to
go back to Stars Hollow. And maybe let’s not talk about Go Set a Watchman. It’s
for the best.
But then, a moment
comes along when you can unclench because there are people in this world who
love their characters as much as you do and are clever enough to ensure anyone
involved in creating new and exciting revisits only want what’s best not only
for the characters and their world, but also for the fans. J.K. Rowling is one
of these people. Some may complain that she should leave Harry and his magical
world along, but I say bring.it.on. We all love Harry and should trust that
J.K. would never do anything to ruin him. Or Hermione or Ron for that matter
(or Dumbledore, or Neville or Severus…you get the idea). I’d be more than happy
to have new Harry Potter material every.single.year.
Apparently you can't take too many photos of the glorious Palace Theatre |
And so we come to
Harry Potter and the Cursed Child. I promised you there would be no spoilers in
this post, and I’m sticking to that. The impassioned plea to #keepthesecrets by
J.K. herself and those who helped bring Cursed Child to the stage is something
I take very seriously so the following is more an idea of what I thought about
it all, rather than the plot. (If you’d like to know what the story is about,
go and read the script. If you can at all get yourself to London to see the
performance DO.IT.)
I'm not ashamed of keeping this ticket forever |
The magnitude of the
event itself was hard to come to grips with since, as those of you who have
read this blog from the beginning know, I booked tickets in October 2015 and
that event helped me decide to completely change my life. So taking into
account all of that, plus how much love I had for the books, it all would have
been so tragic if it had been a big pile of steaming terribleness.
Thankfully, this wasn’t
the case.
The play, performed in
two parts and seen over two nights, was, to put it simply, utterly joyful. My
already nervously high expectations were smashed. The staging was spectacular
but was just pipped by the story telling as the true standout of the production.
I have to bow my head in utter unworthiness at the brilliant of J.K. Rowling,
Jack Thorne and John Tiffany. The intelligence, wit and cleaverness of how they
brought this eighth story to fans is remarkable. I didn’t leave the theatre
wondering ‘what was the point of that?’. I left the theatre on a complete high,
happy in the knowledge that I’d glimpsed the characters as their older selves,
and had a few things from the past explained a bit more to help me further understand,
and immerse myself in Harry’s world.
Yes, I’m gushing and
I’m not sorry. I would see the play again immediately (if not for the fact it’s
currently sold out until 2018) but I don’t want to take away tickets for those
who have yet to have the privilege of watching magic on stage. And seeing this
production was a privilege. It’s as simple as that.
So, my final thought
for this slightly shorter post (because, again, no spoilers otherwise this post
would go on for days) is… J.K., please continue to bless us with as much Harry
as you see fit. (Everyone else? Maybe start coming up with some new stuff, yeah?)
For real, can't take too many photos of the Palace Theatre. This is a different view though. It's from INSIDE! |
Phew! Total relief, eh? SG
ReplyDeleteTOTAL relief!
DeleteI have only read the book. But it was really ehhhhhh. I didn't love it. The best bit was Snape - obvs!
ReplyDeleteI do really believe the best way to experience it was on stage rather than reading the script. Shame it's only in London at the moment but hopefully it'll go global!
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